VerbalReading Comprehension

Free GMAT Reading Comprehension Practice Question

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For more than a century, scholars seeking to assign authorship to anonymous works of the late medieval period relied chiefly on stylistic comparison. The method treats an author's habits of phrasing, rhythm, and word choice as a kind of fingerprint: a text of uncertain origin is matched against signed works until a close stylistic cousin emerges, and the cousin's author is proposed as the candidate. The approach is intuitive and has produced durable attributions. Yet it rests on a fragile premise, namely that an author's style is both stable across a career and distinct from that of contemporaries. Apprentices imitated masters, scribes silently revised what they copied, and popular registers of phrasing circulated widely, so the supposed fingerprint is frequently shared.

A newer approach sets style aside and traces instead the documentary trail of a text's circulation: who commissioned it, where copies surfaced, which workshops produced them, and which patrons are recorded as owning them. On this view, attribution should follow the network of transmission rather than the texture of the prose, because that network leaves external records that resist the distortions of imitation. Where such records survive, the author contends, circulation evidence yields attributions more defensible than those style alone can support, since two writers may sound alike but rarely share an identical chain of patrons and copyists.

The claim, however, is bounded rather than sweeping. Documentary trails survive unevenly; for many regions and decades almost nothing remains, and where the record is thin the older stylistic method may be the only instrument available. The author does not propose that circulation evidence replace stylistic analysis everywhere, but that, where both can be brought to bear, the documentary trail should ordinarily carry the greater weight. The proposal is therefore less a rejection of the older practice than a reordering of its priorities, one that concedes the persistence of cases in which no method can move past informed conjecture.

The author's attitude toward the newer, circulation-based approach to attribution is best described as one of

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Answer & Explanation

Correct answer

C

Step 1, restate the stem: the question asks for the author's attitude toward the newer, circulation-based approach. This is an author-stance, tone question, so the credited answer must match the passage's register on that approach, neither stronger nor weaker than the text licenses.

Step 2, read the valence. The author is favorable: circulation evidence yields attributions more defensible than those style alone can support, since two writers may sound alike but rarely share an identical chain of patrons and copyists. That rules out the doubt of (B) and the indifference of (D). But the third paragraph deliberately hedges the favor. The claim is bounded rather than sweeping. Documentary trails survive unevenly, and where the record is thin the older stylistic method may be the only instrument available. The author does not propose that circulation evidence replace stylistic analysis everywhere, but that where both can be brought to bear, the documentary trail should ordinarily carry the greater weight. The proposal is therefore less a rejection of the older practice than a reordering of its priorities.

(C) captures exactly this register: approval that is qualified, stronger only where records permit. (A) strips the hedges and overstates the favor as endorsement in every case, contradicting does not propose that circulation evidence replace stylistic analysis everywhere. (B) misreads the bounding concessions as doubt about the method itself, when the author's verdict on the method is positive. (D) mistakes even-handed treatment for no preference, ignoring the explicit ranking the greater weight. (E) inflates the first paragraph's critique of stylistic comparison into outright dismissal, contradicting the passage's statement that the older method may be the only instrument available and that the proposal is less a rejection than a reordering. The credited register is favorable but bounded, which is (C).